mullaney

Comedy is important

I think sometimes that improvisors and comedians don’t quite get how important comedy is. We refer to improv dismissively as doing the “make-em-ups” as if we are just playing on the stage, spending our time doing something frivolous. Surely a life spent performing somehow just isn’t as substantial and valuable as others pursuits. Right?

My mother suffered from a form of dementia that took away her ability to speak and communicate. For the last couple of years of her life, we could not ask her questions and it seemed that she did not understand complicated sentences. In the last stages, she did not seem to comprehend language at all.

Still, she was engaged with us on other levels. We could understand how she was feeling. She seemed to recognize us and her mood often improved a little when she interacted with one of us kids or with one of the many wonderful aids who helped take care of her. If you had gotten a cut or a bruise since your last visit, she might touch that part of your body. She was a nurse after all, she needed to care for people.

So what does this have to do with comedy? Continue reading “Comedy is important”

IRC Podcast with Jimmy Carrane

I uploaded another episode of my improv podcast today. This week’s guest is Jimmy Carrane. We talk about grounded scenework, the third choice, reality transaction scenes, commitment, silent scenes, side coaching and group therapy.

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IRC Podcast with Will Hines and John Frusciante

Finally, episode #11 of the Improv Resource Center Podcast is ready and uploaded! Will Hines and John Frusciante from the UCB Theatre in New York discuss the game, improv training simulators, an improv sabbath and things to steal from Ian Roberts.

Will and John host the UCB Theatre Podcast and teach at the UCB Training Center.

New Improv Class, July in Chicago

The Details

Where: Theatre Momentum Studio at 1800 W. Cornelia Avenue
Dates: July 10, 17, 24, 31
When: Noon to 4pm (class is noon to 2:45 with a bonus practice hour from 3 to 4).
Cost: $89, $59 if you sign up and pay before July 4th.
For intermediate and advanced improv students. Limit 14 students.

New Apps for Your Improv Scenes

In this four week workshop, we will download some new apps that you can use in the middle of any scene to make it better. These techniques will make your so-so scenes good and your good scenes great. You’ll learn to better connect with your scene partner by noticing their emotions and behavior and by reacting from your gut. You’ll also learn a variety of tools to add texture, detail and spontaneity to your scenes.

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How to Add an Image to Your Podcast

IRC Podcast with Kevin Mullaney — IRC Podcast image

A few months ago, I started a podcast on improv. To publish the actual RSS feed for the podcast I used an open source PHP script called Podcast Generator. I’ve been very happy with it. It allowed me to setup the website for the podcast very quickly. It doesn’t even require a MySQL database. It handled everything seamlessly. My podcast was listed on iTunes within minutes of uploading the first mp3 file to my site.

However, there was a problem. One of the things that I assumed it would handle was the image that you see on your iPod while it is playing. When you add a new podcast to the RSS stream, the script requires you to assign an image for iTunes. And when you search for the podcast on iTunes, you do see an image for the show. But that was not enough to get the image on my iPod. When you listen to the first 10 episodes of my podcast, you won’t see an image on your iPod.

I finally decided to research it today. The solution is pretty simple. You have to embed the image into the mp3 file before you upload it to your website. Continue reading “How to Add an Image to Your Podcast”

Embrace the Mistakes Your Students Make

Negative notes serve a purpose. If a scene is bad, and if the note giver understands why the scene is bad, he or she should give that note. But why does it have to make everyone feel so bad? Perhaps there is a better way to give a note.

“And scene!” the teacher says as she finishes scribbling a note.

The two students stop their scene and stare at the floor in front of them, waiting for their notes. They know that their scene wasn’t good. It was a frustrating scene to perform. They know they made lots of mistakes, although they wouldn’t be able to name them if asked.

“Well, there were a lot of problems in that scene,” the teacher begins. “You two weren’t on the same page. Steve, you kept trying to make the scene about your ESP powers. It’s ironic since you weren’t listening. And Carol, you kept talking about your problems at the office. Those people aren’t in the scene, why are you talking about them?”

The notes continue for some time as the teacher lists several more mistakes. You can hear the disappointment and frustration in her voice. These are all notes she has given before. The two students feel awful, almost ashamed, and the rest of the class shifts awkwardly in their seats. The only happy thought among them is that it’s not them who are getting dressed down.

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IRC Podcast with Kurt Braunohler

Yesterday, I uploaded episode #10 of my improv podcast. This week my guest is Kurt Braunohler. I really enjoyed this conversation. We began by talking about how one goes about teaching Harold, but we quickly moved on to other topics like solo improv, image streaming and viewpoints. Finally we talked briefly about Caligula, an exercise that we talked about in the Susan Messing podcast.

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IRC Podcast with Lillian Frances

I uploaded episode #9 of the IRC Podcast yesterday. My guest this week is Lillian Frances who owns and runs the Laugh Out Loud Theater in Schaumburg, IL. She talks about auditions, teaching kids, using your warmups well, and yes-anding life. She performed at iO Theater and with many improv groups in Chicago. She was also a perfomer and assistant director for Boom Chicago in Amsterdam. She directed for Second City National Touring Company, the all women’ improv groups Jane and Sirens, and sketch shows with GayCo and Stir Friday Night.

This interview was a little different than the others, because we ended up talking a lot about what it’s like to run the business of a small improv theater. I really like how Lillie talks about her performers. It’s obvious that she has a lot of respect for her performers and trusts them in ways that not all improv directors do. It’s not surprising that several years after she first held auditions, seventeen of her first hires still work for her.

Agreement in improv

When working with a script, an actor knows a lot about the scene they are about to perform. They know where the scene takes place and who their character is. They know the relationship between themselves and the other characters in the scene. They know what they are going to say. And if they are properly prepared, they know what their character wants and what actions they will do to try to get it.

When an improviser begins a scene, they know none of these things. They face a stage that could become any setting they can imagine. They can play any character they choose and so can their scene partner. Their choices are infinite. So at the beginning of an improvised scene, the most important thing they must accomplish is to decide on the circumstances of the scene. And the most important tool for deciding those circumstances is agreement.

Simply put, an improviser must agree to all facts and circumstances that their scene partner establishes via dialogue, behavior or action. If I say that I’m a plumber, you must agree that I’m a plumber. If you act like you are in car, I must accept that. If I say that we are in an airport bar, set down your luggage and grab a drink.

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IRC Podcast with Susan Messing

Episode #8 of the IRC Podcast has just been uploaded. This week’s guest is Susan Messing. She performs regularly at the Annoyance Theatre in Chicago, where she teaches level four classes. She created the curriculum for level 2 at iO Theatre and teaches there as well. Among the episodes we discuss are Caligula, Busby Berkeley, and Doublemint Twins.

She can be seen performing every Thursday at 10:30 in Messing with a Friend at the Annoyance.