Here is some of the feedback I got from my last Improv Performance Workshop. Robert Carter has been my assistant for the last couple of classes, so some of the notes refer to him as well.
Here is some of the feedback I got from my last Improv Performance Workshop. Robert Carter has been my assistant for the last couple of classes, so some of the notes refer to him as well.
“My favorite thing about the class was that it was focused on ‘doing.’ We spent a lot of time up on our feet, doing scenes and running pieces. In this class I felt like you and Robert struck just the right balance between sharing your point of view as teachers with the class and then allowing us to experience putting your lessons into practice.” –John Sexton
“What did I like? Really, just about everything. I like that we spent most of our time on our feet ‘doing.’ And that exercises seemed to be pulled from a broad spectrum of improv and acting disciplines. And that our notes, whether group or individual, were always reasonable and applicable. And that you and Robert both have (and impart) a real passion for the craft. In short, I derived more from 8 weeks with Kevin Mullaney than I did from 40 weeks at Some Unnamed Chicago Improv Institution.” -Mathew Fenton
“It was a great experience, and I learned so much from you, Robert and everyone else. A lot of the exercises we worked on have really helped inform my process, both as a performer and as a coach; in particular, I think the explanation of how to form a situation at the beginning of a scene let me learn new ways to approach setups and initiations. In addition, the acknowledgement/nodding exercise helped give me new ways to support scenes I didn’t initiate. This has been especially useful for me.” -Phil Caron
“My favorite part of the class was that each week felt like a response to the previous week/most recent show, rather than like it was simply the slave to a rigid preordained curriculum. I loved that our strengths and weaknesses (as both individuals and as a class) were not only being identified and pointed out, but then actually worked on, which is an experience I’ve never had in an improv class before. I genuinely feel like there were concepts that were huge weaknesses for me at the beginning of the class that made legitimate progress towards becoming strengths by the end of it, as opposed to just being vague conceptions of things I should be conscious of in the future, which is what has often happened in other classes I’ve taken.
“Also, I think it’s important to note that this class was really fun. Everyone was really supportive, and I feel like each person’s unique style was celebrated in such a way that it led everyone to do better scenework than they might have done otherwise. I feel like the class—occasionally, at least—brought out the best in me, and that definitely was also one of the reasons I enjoyed it so much (and would love to do it again!).” -Kyle Reinhard
I am offering two more improv performance classes for the new year. The January class on Tuesday nights is sold out, but there is still room in the Monday night class starting in February.
