In this two day intensive class, you will learn how to begin scenes by observing and connecting with your scene partners and trusting your gut. By owning your reactions and provoking reactions in your scene partner, you will build exciting, unpredictable and fun scenes with strong emotional games.
In this two day intensive class, you will learn how to begin scenes by observing and connecting with your scene partners and trusting your gut. By owning your reactions and provoking reactions in your scene partner, you will build exciting, unpredictable and fun scenes with strong emotional games.Kevin Mullaney
When is the class?
Class meets Saturday January 19th and Sunday January 20th, noon-4pm
Where is the class?
Upstairs Gallery
5219 North Clark Street
Third Floor
Chicago, IL 60640
How much will the class cost?
$65
Applications for this are closed.
Who is Kevin Mullaney?
Kevin Mullaney is the current Artistic Director of the Chicago Improv Festival. He was the original Artistic Director for the UCB Theatre in New York. He was also the first director of their training program. Before that he taught at iO Theatre and directed their touring company, the iO Road Show. He is the host of the Improv Resource Center Podcast and has acted in recent productions by WildClaw Theatre, Caffeine Theatre and Will Act For Food. Find out more about Kevin Mullaney here.
If you are in Chicago and you are participating in National Sketch Writing Month, you are invited to come to an open mic/sketch reading party on October 7th. Bring copies of your favorite sketches you wrote for this year’s NaSkeWriMo and we will read it together.
NaSkeWriMo Chicago Afterword @Upstairs Gallery Sunday, October 7th, 7:30pm FREE (suggested donation $5) BYOB & BYO(S)ketches
Kevin MullaneyThis is an eight week class for intermediate and advanced improv students with some long form improv experience. You will learn how to create fun, interesting, two-person scenes; explore different ways to create second beats from those scenes; and try connecting different threads at the end of your piece. There will be a special focus on game of the scene and developing characters with interesting points of view.
Best of all, the class includes four performances at Upstairs Gallery in Andersonville. Each show will be hosted by your teacher and you will receive notes after the show. The following week, in class, will feature exercises to work on the specific areas of potential improvement identified from the last show. And it only costs $199!
Who is Kevin Mullaney?
Kevin Mullaney was the original Artistic Director for the UCB Theatre in New York. He was also the first director of their training program. Before that he taught at iO Theatre and directed their touring company, the iO Road Show. He is the host of the Improv Resource Center Podcast and most recently one of the Co-Artistic Directors at the Chicago Improv Festival. Find out more about Kevin Mullaney here.
When is the class?
Class meets Saturdays 12-3pm, September 8, 15, 22; October 6, 13, 20, & 27 & November 3 (No class September 29)
Performances are Sundays at 7:30pm, October 14, 21, 28 & November 4
Where is the class?
Upstairs Gallery
5219 N Clark Ave
3rd Floor
Chicago, IL 60640
I’ll be teaching an improv performance class at Upstairs Gallery in June and July. This class is going to be awesome. I decided for this class that I should have an application process. I’m accepting applications until Sunday, then coming up with the roster by Tuesday.
Keep in mind that if I get enough people, I may open a second class on Sundays. So if you can’t make the Saturday class, but could make a Sunday one, please apply and note that in the application.
Feel free to send me a message via facebook or gmail (ircmullaney in both places) if you have a question.
I’ve had a lot of applications so far for the performance class that I’m teaching at Upstairs Gallery in June and July. There is a possibility I could open up a second section for the class, but I would need some more applications to make a second class happen. The most likely time for the second class would be 11:30 to 2:30 on Sundays with a show on Sunday evening, probably around 9:30pm.
So if you are interested in taking the class but Saturday afternoons don’t work for you, and Sundays do, please apply and note that on the form.
Photo by: Songster09 on flickrMost improv training is focused on scenes. If you can do a good scene, you can do a good show, the thought goes. I’d like to suggest that the opposite is also true, or maybe more true, if you can do a good show, the scenes take care of themselves. When you learn how to take a character or an idea or a game and follow it through multiple scenes, you learn how better to play with characters, ideas and games within a scene.
This is how I’ll be approaching my upcoming performance workshop. We won’t start by working on openings, or breaking our form down into pieces. We will start by putting it all together. In the very first day, you will be doing 20-30 minute improvisations with your classmates. We will start with a narrow focus, a simple structure to be sure, but it will gradually expand over the weeks until we have a full form which follows games, explores themes, has group games and finds connections.
These won’t be Harolds. They won’t be that formal, but they will have many things in common with Harolds. And if you do this performance workshop, you will learn tools that will work in any kind of improv performance.
Kevin Mullaney (me) is one of the most experienced teachers in Chicago. He has been coaching long form improv since 1995 and teaching since 1997. He taught well over 100 classes in New York for the Upright Citizen’s Brigade Theater.
Smaller class size: This class will have 14 people or less in it. I’ve seen classes in Chicago with more than 20 people in them. Honestly, that sucks for the student. Smaller class sizes mean more chances to try exercises and to learn by doing.
Smaller team size: Team size will be limited to 7 people max for performances. New performers in Chicago are typically put on teams with 10 players, sometimes more. That’s too many people. 7 people per team means that each person will have plenty of room to contribute to the shows.
Less expensive: $175, about half the cost of a regular improv class.
4 performances: Most improv classes only have 1 performance.
Performances begin in the middle of the session, not after the class is over. This means we will be able to work in class on problems that arise in the shows.
Shows are free! Invite your friends to come see you for free. Or if the class decides to, they can ask for donations and split the money.
Shows are BYOB! Even more reason to invite your friends.
Upstairs Gallery is a beautiful space to rehearse and perform in and the people that run it are super nice.
After class, you get to hang out in Andersonville, a truly awesome neighborhood.
Kevin MullaneyThis is an eight week class for intermediate and advanced improv students with some long form improv experience. You will learn how to create fun, interesting, two-person scenes; explore different ways to create second beats from those scenes; and try connecting different threads at the end of your piece. We will work on games within scenes and how to build group scenes and group games.
Best of all, the class includes four performances at Upstairs Gallery in Andersonville. Each show will be hosted by your teacher and you will receive notes after the show. The following week, in class, will feature exercises to work on the specific areas of potential improvement identified from the last show.
Who is Kevin Mullaney?
Kevin Mullaney was the original Artistic Director for the UCB Theatre in New York. He was also the first director of their training program. Before that he taught at iO Theatre and directed their touring company, the iO Road Show. He is the host of the Improv Resource Center Podcast and most recently one of the Co-Artistic Directors at the Chicago Improv Festival. Find out more about Kevin Mullaney here.
When is the class?
Class meets Saturdays 2-5pm, June 9th to July 28th (8 classes)
Performances are Sundays at 8pm, July 8 to July 29th (4 performances)
Where is the class?
Upstairs Gallery
5219 N Clark Ave
3rd Floor
Chicago, IL 60640
How much will it cost?
$175
How many students will be in the class?
Maximum number of students will be 14
How will teams be created?
For each performance, the teacher will break up the class into two teams. You will work with that team during the Saturday class before the show on Sunday. There will be 7 people on each team at the most.
What if I miss a class?
If you miss the class directly before a show, you cannot perform in that weekend’s show. If you miss more than two classes, you cannot perform in any remaining shows, however you are welcome to come to the remaining classes.
How much will tickets be for the show?
Upstairs Gallery shows are typically free with a five dollar suggested donation. The class will decide whether or not to ask for donations.
Who gets money from the donations?
The students do. The cost of renting the space for the show is included in the price of the class. Any donations will be split equally between the participants of the show.
How do I get into the class?
Students can apply to be in this class by filling out this form before Sunday May 20th. Students will be chosen from the pool of applicants. If you are chosen for the class, you’ll be notified by Tuesday, May 22nd. You will need to pay a deposit of $50 to hold your spot in the class by May 29th.
Sunday Punch hosted by Joy Joy Tragedy
Joy Joy Tragedy is back with a new show, Sunday Punch, a variety show with sketch, standup, music, clown and other solo performances and of course an improv set with Joy Joy Tragedy (Amrita Dhaliwal and Kevin Mullaney).
Every week a new spiked fruit punch to sample!
WHERE: Upstairs Gallery, 5219 North Clark Street, Chicago
WHEN: Sunday nights at 7:30pm, October 18th through December 18th
HOW: FREE and BYOB (suggested $5 donation)
Amrita DhaliwalIn my most recent class at Black Box Acting Studio, I met Amrita Dhaliwal. We were assigned a scene from The Memory of Water. We worked on it and ran it in class a couple of times. At break one day, she asked me if I wanted to perform the scene in a show. She talked about how it was shame all the work we would do to prepare a scene and never get a chance to do it in front of an audience.
