Yesterday I finished B4 at the Black Box Acting Studio in Chicago. It’s the fourth and final level in what is a terrific program. It’s only been around for a few years, but the curriculum is solid and the teachers are passionate and smart. I feel like I’ve learned some new tools and sharpened some old ones, but most importantly I’ve now got a process for auditions and rehearsals. I also feel like I have a new home base, so that when I do get cast in a show and I’m running into roadblocks, I have a community of people I can call on to help.
What is the program?
Like a lot of programs in Chicago and elsewhere, they start with exercises used in Meisner classes. You learn to observe your partners behavior. You do repetition. Repetition is something that I’ve done for years. I thought this part of the curriculum would be old hat for me. But I certainly did learn new things.
Continue reading “Black Box Acting Studio – Review”
A therapist welcomes her patient into her office and asks him to tell her about his week. He tells her how he argued with his teenage child about a curfew. She tells him about her own truculent child. He tells her how he is frustrated with his spouse in the bedroom. The therapist sympathizes with him and complains about how her spouse refuses to sleep with her. The patient admits to getting too drunk at a work party. The therapist admits that she is drunk right now.
This is an example of a scene with a game.
The Game of the Scene is a term we use in improv (and sketch comedy) to describe what is funny and interesting about a particular scene. Continue reading “Game of the Scene – an example”
I’m in class again. Actually I’m in a lot of classes again. I decided to move back Chicago and to retool. It’s like that part in the movie where the guy has to train for the big confrontation in act three–the montage. I needed a montage. In my montage, I’m taking acting classes, learning to play guitar, studying at the Annoyance and inventing activities that I can practice deeply and which will make me a better performer. Of the classes I’m in, the acting one is the most challenging.
Years ago I took a series of acting technique classes. The instructors didn’t mention Meisner, but it was obvious that the exercises and methods were similar. We used repetition. We improvised scenes using imaginary circumstances. It was exciting and visceral and raw.
I took those lessons and tried to apply them to my improv. It taught me to be present, to pay close attention to the emotional life of my scene partner and to act on my gut impulses. For years, I’ve taught workshops that try to bring those ideas from Meisner to improv. I’m teaching one of those workshops this weekend.
Continue reading “I need a montage”
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