The best stories and songs and memories all have something unusual about them. Sometimes it’s slightly out of the ordinary, sometimes it’s absurd.
A common concept in improvised scene work is that at the top of the scene, we should be trying to discover the first unusual thing about the situation or relationship and then use that to create a game for the scene. A few questions were recently posed on my message board about the first unusual thing and here was my response:
The first unusual thing has a lot to do with how our brain works. We remember and are delighted by novelty in general. Lets say you shook hands with 20 people today, and 19 of them shook your hand in a way you expect. If the 20th person shook your hand and then pulled you in close and whispered into your ear, “You are the one, the only one who can save us.” You would remember that handshake long after you forgot the other 19 people.
The best stories and songs and memories all have something unique and unusual about them. Some of these unusual things are just slightly out of the ordinary, some are absurd or ridiculous. I would go so far to say that all great theatre is about unusual things. Plays are not about the days where everything mirrors ordinary life exactly and everything happens just as we would expect. It’s about the days when things go wrong or unravel in unexpected ways or about characters whose ordinary days seem strange to us.
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