Base Reality is more than a who, what and a where

For a base reality to be useful, we must be able to ask and answer the question, “What is weird or unusual for this base reality.” If it’s too weird to begin with, it may be hard to answer that question.

When I introduce the term base reality to my students, I often begin by saying that it’s similar to having a who, a what and a where. Often, this is how improv is taught to beginners. You use agreement and yes-anding to establish who you are, where you are, and what you’re doing.

As far as I know, the term base reality was coined by either the UCB or one of their teachers to describe what I have often called the situation. It’s more specific than just any old who, what and where, because they need to feel like they belong together. It may be a situation that you have experienced in real life. It may be one that you’ve only seen on TV, in a film or in a book. Perhaps it’s a situation that you’ve never encountered before. But whatever the case, the base reality probably shouldn’t be funny or weird or absurd. If it is, then it’s more than a base reality.

Let’s look at some examples. Let’s say your ‘where’ is a cruise ship. Your ‘who’ is a psychiatrist and a lion tamer. And your ‘what’ is that you are playing Russian roulette. In many improv classes, this would be a fine example of a who, what and where. But it’s not a base reality. It’s too weird to be a base reality.

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Behavior is a game

We work too hard at the top of the scene. We think we need to figure out everything in the first few lines. Are you my mother? Are you my boss? Are we on a bank heist? Are we on the playground? Is that a cane in your hand or a magical staff? Do we need to know everything?

We work too hard at the top of the scene. We think we need to figure out everything in the first few lines. Are you my mother? Are you my boss? Are we on a bank heist? Are we on the playground? Is that a cane in your hand or a magical staff? Do we need to know everything? No. We don’t. And the audience doesn’t care if we come up with some amazing back story.

The audience wants to see our behavior. They want to know how we relate to each other. That’s what a relationship is.
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